WEAVINGS
D-DAR-Nai. series.
Sacred geometry in wool yarn.
We-Be-IN continuation.
HILANDO UNA FAMILIA.
2008-2009
Collaboration with teachers and fellow artists from Chicago SAIC (2008) and women in Oaxaca, Chiapas and Quintana Roo , Mexican Indigenous communities (2009). In January of 2009 I started the research for TELAR Project (see TELAR) . I traveled through southern Mexico visiting Indigenous communities dedicated to textiles and asked them to embellish it. This piece represents the integration of Western and Indigenous communitiesBEFORE
AFTER.
Tlayoli Weaving,
(57 x 70 in)
2008.
Exploring Maize as an ancient sacred material. Hand woven corncob weaving. Continuation of Zea Tlayoli.
2008.
Exploring Maize as an ancient sacred material. Hand woven corncob weaving. Continuation of Zea Tlayoli.
MI REBOSO.
(60 x 23 in)
2008
Hand woven wool and cotton yarn. An experimentation of the weaving process developed as a practical every day power object. A fusion between traditional practices and contemporary fashion accessories.
2008
Hand woven wool and cotton yarn. An experimentation of the weaving process developed as a practical every day power object. A fusion between traditional practices and contemporary fashion accessories.
Uno.
2007
Exploration of alternative materials. Narrative and Self-Portrait.
Exploracion de materiales alternos. Auto-retrato.
Exploration of alternative materials. Narrative and Self-Portrait.
Exploracion de materiales alternos. Auto-retrato.
